Amalta typeface was designed by Vera Evstafieva in 2010, it became a winner in prestigious TDC2 competition in 2011 and Modern Cyrillic contest in 2014.

Amalta was conceived on the basis of Vera’s own calligraphic style, written with the flat brush. Turned into typographic shapes, letterforms are steady and strong.

Overlapping strokes and terminals are characteristic for Amalta. It features powerful black shapes and vivid counterparts.

See the full character set and license Amalta font at type.today

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Swash alternates in both Latin and Cyrillic have their historical roots in Medieval scripts like Civilité and Skoropis, and others. Amalta was recently produced as a wood type and is used for letterpress printing as well as for digital typography.

Amalta is perfect for branding, logotypes, posters, book cover designs, and much more.

Get the license for Amalta at type.today

Would you like to discuss Amalta’s character set extension? Please contact me ➳‍ ‍

  • Design and illustration by Fernanda Arias

  • Book designed and published at Nikea Publishing house

  • Types of Love project by Vera Evstafieva

  • Modern Cyrillic contest catalogue

  • Design by Oleksiy Chekal

  • Typodarium calendar, Amalta page. 22 September, Saturday

  • Amalta poster designed for Eye magazine, for the article about TDC winners of 2011

  • Typedesign graduation projects exhibition poster, design by Maria Doreuli

  • Amalta wood type cut by Mark McKellier

  • Letterpress print by Elizabeth Fraiser wood type cut by Mark McKellier

  • Cut out Amalta a, paper souvenirs

  • I'm lava for you. You're lava for me. Poster designed by Vera Evstafieva

  • Nurse Lugton’s Curtain by Virginia Woolf. Podpisnie Izdaniya publishing house

  • Chronicles of a Cairo Bookseller by Nadia Wassef. Alpina Publishers

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